Philosophy Urgent Assignment - repost

Type of service: Essay (any type)

Work type: N/A

Academic level: College (3-4 years: Junior, Senior)

Subject or discipline: Philosophy

Title: take- home essay questions

Number of sources: 7

Provide digital sources used: No

Paper format: MLA

# of pages: 5

Spacing: Double spaced

# of words: 1375

# of slides: ppt icon 0

Paper details:

This teacher is very strict and kind of crazy so please be STRAIGHT forward and stick to the text and film. There is no introduction or conclusion just answer the questions in essay form 500 words EACH !Please take quotes from the books and the films !!

1. There shall be no images of Auschwitz," says one dictum (Lanzmann). and " so let us not invoke the unimaginable" commands another (Didi-Huberman). Rather than taking sides (at least not right away), develop the two sides of the argument. Explain their position on the impossibility of representation.

Didi-huberman :

Images in Spite of All: Four Photographs from Auschwitz


Online Sources for #1:

full book:

[url removed, login to view]

[url removed, login to view]

JSTOR articles:

login: meganmcgregor

password: mcgregor16

login in through [url removed, login to view]

link: [url removed, login to view]


claude lanzman: SHOAH PART 1

[url removed, login to view]

please watch and then quote from the movie to support ideas!


[url removed, login to view]

[url removed, login to view]


[url removed, login to view] among the works we have discussed, choose at least two examples where writing/ letters appear in the same space. With aid of the texts dicuss how the two forms inform, interact and or/ modify one another.


[url removed, login to view]

pillow book: movie:

[url removed, login to view]

jean- luc nancy : Distinct Oscilliation

[url removed, login to view]

The lingustic sign: Saussure

[url removed, login to view]


3. Didi-Huberman situates the 4 images shot in Auschwitz " in the fold between two impossibilities." explain what he means. Discuss the impossibilities in the context of the film as well.

SAME sources as first question : In spite of it All by didi-huberman

full book:

[url removed, login to view]


the linguistic sign- saussure

michel foucalt- this is not a pipe

peter greenaway - pillow book

jean-luc nancy- distinct oscillation

claude lanzman -shoah PART 1 film

did-huberman - in spite of it all

peter forgacs - prohibited representation

Habilidades: Pesquisa, Research Writing, Redação técnica

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