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$60 USD / hora
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denver, united states
$60 USD / hora
Atualmente, está 3:51 AM aqui
Ingressou em maio 3, 2022
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Nicholas F.

@NickFigel

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$60 USD / hora
Bandeira do(a) UNITED STATES
denver, united states
$60 USD / hora
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Product Design

After concluding my career as a chef, I have studied for three years in the pursuit of object and furniture design. During this time, I have helped several clients with rapid prototyping, with good success. The skills I have developed include Computer Aided Design (CAD), Computer Aided Machining (CAM), CNC machining, wood working, fabrication, welding, sewing, and design in general. Because of the flexibility required to design my artwork, I am now adept at working with agility and speed, and so we are uniquely able to offer FULLY CUSTOMIZED, RAPID AND RESPONSIVE PROTOTYPING SERVICES. I can do complex, industry-ready work such as fixtures, test models, brackets, etc. I have a skilled, flexible team to produce excellent work for you, on time and cost-efficiently. We can do simple machining jobs quickly, with no hassle, and very inexpensively. We can design and build components to make your vision a reality. We can conceive of art pieces to fit your design style or motif.
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Portfólio

10008681
“KREIGSTIKE” is a unisex pendant necklace, symbolizing power and freedom in an ancient Nordic context. Pendant digitally machined and inlayed from Nickel Silver and Figured Missouri Walnut. Band of Leather. Presented in the Classic Nick’s House Concentric Case, made from dried Hard Maple. A part of The Nick’s House Studio Collection: pieces for home and body from the artists at nickshousestudio.com
Kreigstike
10008678
Matt Worldly is a respected Painter and Light Artist in the Santa Fe Arts District. He and Nicholas collaborated on Accensis as the first demonstration of stressed fabric backlist projection artwork. The inspiration was Matt’s development of a sophisticated, organic, light refraction and reflection methodology at his Denver studio. The light piece, entitled Consistent Sea of Consciousness is a live, uninterrupted, un-edited and entirely extemporaneous capture of light through natural glass objects to evoke meditations on the complexity and impossibly faceted nature of reality. A 100% un-edited live recording. Nicholas’s task was to provide an organic, flowing platform for the Piece which mimics some of the elastic, refractory elements of the piece. Therefore, Accensis is constructed of flowing Coffee-nut and Poplar rubs which sequester the translucent stretch fabric to create an exactly tailored project platform.
Accensis
Matt Worldly is a respected Painter and Light Artist in the Santa Fe Arts District. He and Nicholas collaborated on Accensis as the first demonstration of stressed fabric backlist projection artwork. The inspiration was Matt’s development of a sophisticated, organic, light refraction and reflection methodology at his Denver studio. The light piece, entitled Consistent Sea of Consciousness is a live, uninterrupted, un-edited and entirely extemporaneous capture of light through natural glass objects to evoke meditations on the complexity and impossibly faceted nature of reality. A 100% un-edited live recording. Nicholas’s task was to provide an organic, flowing platform for the Piece which mimics some of the elastic, refractory elements of the piece. Therefore, Accensis is constructed of flowing Coffee-nut and Poplar rubs which sequester the translucent stretch fabric to create an exactly tailored project platform.
Accensis
Matt Worldly is a respected Painter and Light Artist in the Santa Fe Arts District. He and Nicholas collaborated on Accensis as the first demonstration of stressed fabric backlist projection artwork. The inspiration was Matt’s development of a sophisticated, organic, light refraction and reflection methodology at his Denver studio. The light piece, entitled Consistent Sea of Consciousness is a live, uninterrupted, un-edited and entirely extemporaneous capture of light through natural glass objects to evoke meditations on the complexity and impossibly faceted nature of reality. A 100% un-edited live recording. Nicholas’s task was to provide an organic, flowing platform for the Piece which mimics some of the elastic, refractory elements of the piece. Therefore, Accensis is constructed of flowing Coffee-nut and Poplar rubs which sequester the translucent stretch fabric to create an exactly tailored project platform.
Accensis
10008670
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
10008658
I remember the garish design styles of the mid-seventies from my childhood in Miami Beach. White Leather, geometric forms, and cold colors populated a number of fancy homes back then. This set of four chairs evokes the mid-seventies cocaine culture of the wealthy in New York and Miami. They wore Cardin and Halston, and partied all night. The chairs are modular; able to combine in numerous combinations, and the chair backs are lumber-height and weight bearing, allowing tons of positions for napping, reading, sunbathing, or of course - snorting cocaine. Cocaine are made of machined Aluminum, Colored Resin, Baltic Birch Plywood, and Synthetic Leather. LED lighting inside becomes apparent after dark, and runs uninterrupted for ten days. Charges Overnight.
Cocaine
I remember the garish design styles of the mid-seventies from my childhood in Miami Beach. White Leather, geometric forms, and cold colors populated a number of fancy homes back then. This set of four chairs evokes the mid-seventies cocaine culture of the wealthy in New York and Miami. They wore Cardin and Halston, and partied all night. The chairs are modular; able to combine in numerous combinations, and the chair backs are lumber-height and weight bearing, allowing tons of positions for napping, reading, sunbathing, or of course - snorting cocaine. Cocaine are made of machined Aluminum, Colored Resin, Baltic Birch Plywood, and Synthetic Leather. LED lighting inside becomes apparent after dark, and runs uninterrupted for ten days. Charges Overnight.
Cocaine
10008642
This meticulously hand-crafted, one-of-a-kind wooden chair, required that the team dive into unexplored techniques and experimental strategies. At first glance, the chair appears to be painted or dyed, when it is in fact, neither. We instead took a charring approach in order to reduce long-term wear and tear as well as create a more unified hue, not only on the chair but the footrest as well. Take note of the layered quality this achieves. Another explorative approach demonstrated was the implementation of compound inlays. The Wenge wood was cut precisely to fit inside the aluminum inlays, which was then merged with the chair insets. Lastly, this is the first upholstery project we have executed. Developing our own upholstery methods will unlock unparalleled design flexibility moving forward.
Heart of Charcoal Chair
This meticulously hand-crafted, one-of-a-kind wooden chair, required that the team dive into unexplored techniques and experimental strategies. At first glance, the chair appears to be painted or dyed, when it is in fact, neither. We instead took a charring approach in order to reduce long-term wear and tear as well as create a more unified hue, not only on the chair but the footrest as well. Take note of the layered quality this achieves. Another explorative approach demonstrated was the implementation of compound inlays. The Wenge wood was cut precisely to fit inside the aluminum inlays, which was then merged with the chair insets. Lastly, this is the first upholstery project we have executed. Developing our own upholstery methods will unlock unparalleled design flexibility moving forward.
Heart of Charcoal Chair
This meticulously hand-crafted, one-of-a-kind wooden chair, required that the team dive into unexplored techniques and experimental strategies. At first glance, the chair appears to be painted or dyed, when it is in fact, neither. We instead took a charring approach in order to reduce long-term wear and tear as well as create a more unified hue, not only on the chair but the footrest as well. Take note of the layered quality this achieves. Another explorative approach demonstrated was the implementation of compound inlays. The Wenge wood was cut precisely to fit inside the aluminum inlays, which was then merged with the chair insets. Lastly, this is the first upholstery project we have executed. Developing our own upholstery methods will unlock unparalleled design flexibility moving forward.
Heart of Charcoal Chair
10008640
This project was about learning to cut atypical novel joints for connecting hardwood. This process involved developing machining fixtures and implementing new tool extensions. This quickly proved to be challenging, especially when machining exceptionally tough Maple Hardwood. Having learned these angled techniques, the team has unlocked an infinite amount of undiscovered joinery methods. This, in turn, allows joints between objects with complex multi-axis curves to exist. Some of the joineries that we will discover that will also be new to the furniture world include; Pivotal, Longitudinal Slot, Angle-to-Lock, Angled Side-by-Side, Parallel Slide, etc.
Clay Modeling Table
10008681
“KREIGSTIKE” is a unisex pendant necklace, symbolizing power and freedom in an ancient Nordic context. Pendant digitally machined and inlayed from Nickel Silver and Figured Missouri Walnut. Band of Leather. Presented in the Classic Nick’s House Concentric Case, made from dried Hard Maple. A part of The Nick’s House Studio Collection: pieces for home and body from the artists at nickshousestudio.com
Kreigstike
10008678
Matt Worldly is a respected Painter and Light Artist in the Santa Fe Arts District. He and Nicholas collaborated on Accensis as the first demonstration of stressed fabric backlist projection artwork. The inspiration was Matt’s development of a sophisticated, organic, light refraction and reflection methodology at his Denver studio. The light piece, entitled Consistent Sea of Consciousness is a live, uninterrupted, un-edited and entirely extemporaneous capture of light through natural glass objects to evoke meditations on the complexity and impossibly faceted nature of reality. A 100% un-edited live recording. Nicholas’s task was to provide an organic, flowing platform for the Piece which mimics some of the elastic, refractory elements of the piece. Therefore, Accensis is constructed of flowing Coffee-nut and Poplar rubs which sequester the translucent stretch fabric to create an exactly tailored project platform.
Accensis
Matt Worldly is a respected Painter and Light Artist in the Santa Fe Arts District. He and Nicholas collaborated on Accensis as the first demonstration of stressed fabric backlist projection artwork. The inspiration was Matt’s development of a sophisticated, organic, light refraction and reflection methodology at his Denver studio. The light piece, entitled Consistent Sea of Consciousness is a live, uninterrupted, un-edited and entirely extemporaneous capture of light through natural glass objects to evoke meditations on the complexity and impossibly faceted nature of reality. A 100% un-edited live recording. Nicholas’s task was to provide an organic, flowing platform for the Piece which mimics some of the elastic, refractory elements of the piece. Therefore, Accensis is constructed of flowing Coffee-nut and Poplar rubs which sequester the translucent stretch fabric to create an exactly tailored project platform.
Accensis
Matt Worldly is a respected Painter and Light Artist in the Santa Fe Arts District. He and Nicholas collaborated on Accensis as the first demonstration of stressed fabric backlist projection artwork. The inspiration was Matt’s development of a sophisticated, organic, light refraction and reflection methodology at his Denver studio. The light piece, entitled Consistent Sea of Consciousness is a live, uninterrupted, un-edited and entirely extemporaneous capture of light through natural glass objects to evoke meditations on the complexity and impossibly faceted nature of reality. A 100% un-edited live recording. Nicholas’s task was to provide an organic, flowing platform for the Piece which mimics some of the elastic, refractory elements of the piece. Therefore, Accensis is constructed of flowing Coffee-nut and Poplar rubs which sequester the translucent stretch fabric to create an exactly tailored project platform.
Accensis
10008670
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
This is an inquiry into the multi-geometric relationship between human Mind and Identity. The central neuron network is a multi-axial branching form. It rests triangularly with three such nodes on a Missouri Walnut platform. The external body, a stand-in for Self or Identity in this piece, is machined of Colorado Aspen and Aluminum, and designed with no repeating geometry. Each form and each interaction is unique among the components. The outer bodies and the inner neurons are not mechanically or adhesively joined. The only remain in their spatial relationship due to the position of nodes and node receivers. Neuron has replaceable color gels for the light, allowing for customization.
Neuron
10008658
I remember the garish design styles of the mid-seventies from my childhood in Miami Beach. White Leather, geometric forms, and cold colors populated a number of fancy homes back then. This set of four chairs evokes the mid-seventies cocaine culture of the wealthy in New York and Miami. They wore Cardin and Halston, and partied all night. The chairs are modular; able to combine in numerous combinations, and the chair backs are lumber-height and weight bearing, allowing tons of positions for napping, reading, sunbathing, or of course - snorting cocaine. Cocaine are made of machined Aluminum, Colored Resin, Baltic Birch Plywood, and Synthetic Leather. LED lighting inside becomes apparent after dark, and runs uninterrupted for ten days. Charges Overnight.
Cocaine
I remember the garish design styles of the mid-seventies from my childhood in Miami Beach. White Leather, geometric forms, and cold colors populated a number of fancy homes back then. This set of four chairs evokes the mid-seventies cocaine culture of the wealthy in New York and Miami. They wore Cardin and Halston, and partied all night. The chairs are modular; able to combine in numerous combinations, and the chair backs are lumber-height and weight bearing, allowing tons of positions for napping, reading, sunbathing, or of course - snorting cocaine. Cocaine are made of machined Aluminum, Colored Resin, Baltic Birch Plywood, and Synthetic Leather. LED lighting inside becomes apparent after dark, and runs uninterrupted for ten days. Charges Overnight.
Cocaine
10008642
This meticulously hand-crafted, one-of-a-kind wooden chair, required that the team dive into unexplored techniques and experimental strategies. At first glance, the chair appears to be painted or dyed, when it is in fact, neither. We instead took a charring approach in order to reduce long-term wear and tear as well as create a more unified hue, not only on the chair but the footrest as well. Take note of the layered quality this achieves. Another explorative approach demonstrated was the implementation of compound inlays. The Wenge wood was cut precisely to fit inside the aluminum inlays, which was then merged with the chair insets. Lastly, this is the first upholstery project we have executed. Developing our own upholstery methods will unlock unparalleled design flexibility moving forward.
Heart of Charcoal Chair
This meticulously hand-crafted, one-of-a-kind wooden chair, required that the team dive into unexplored techniques and experimental strategies. At first glance, the chair appears to be painted or dyed, when it is in fact, neither. We instead took a charring approach in order to reduce long-term wear and tear as well as create a more unified hue, not only on the chair but the footrest as well. Take note of the layered quality this achieves. Another explorative approach demonstrated was the implementation of compound inlays. The Wenge wood was cut precisely to fit inside the aluminum inlays, which was then merged with the chair insets. Lastly, this is the first upholstery project we have executed. Developing our own upholstery methods will unlock unparalleled design flexibility moving forward.
Heart of Charcoal Chair
This meticulously hand-crafted, one-of-a-kind wooden chair, required that the team dive into unexplored techniques and experimental strategies. At first glance, the chair appears to be painted or dyed, when it is in fact, neither. We instead took a charring approach in order to reduce long-term wear and tear as well as create a more unified hue, not only on the chair but the footrest as well. Take note of the layered quality this achieves. Another explorative approach demonstrated was the implementation of compound inlays. The Wenge wood was cut precisely to fit inside the aluminum inlays, which was then merged with the chair insets. Lastly, this is the first upholstery project we have executed. Developing our own upholstery methods will unlock unparalleled design flexibility moving forward.
Heart of Charcoal Chair
10008640
This project was about learning to cut atypical novel joints for connecting hardwood. This process involved developing machining fixtures and implementing new tool extensions. This quickly proved to be challenging, especially when machining exceptionally tough Maple Hardwood. Having learned these angled techniques, the team has unlocked an infinite amount of undiscovered joinery methods. This, in turn, allows joints between objects with complex multi-axis curves to exist. Some of the joineries that we will discover that will also be new to the furniture world include; Pivotal, Longitudinal Slot, Angle-to-Lock, Angled Side-by-Side, Parallel Slide, etc.
Clay Modeling Table

Avaliações

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Experiência

Owner and Creator

Gone Here Gone
mar. 2019 - Atual
After concluding my career as a chef, I have studied for three years in the pursuit of object and furniture design. During this time, I have helped several clients with rapid prototyping, with good success.

Qualificações

3D Design

Gone Here Gone
2020
The skills I have developed include Computer Aided Design (CAD), Computer Aided Machining (CAM), CNC machining, wood working, fabrication, welding, sewing, and design in general. Because of the flexibility required to design my artwork, I am now adept at working with agility and speed, and so I am uniquely able to offer FULLY CUSTOMIZED, RAPID AND RESPONSIVE PROTOTYPING SERVICES.

Publicações

ARCHITECTURE OF FORM

CORE New Art Space
We had the honor to be invited for the 3td edition of ARCHITECTURE OF FORM by the show’s curator and originator, Jude Barton, who also introduced us to a lot of talented artist who we had the pleasure to work and partner with in this first outside-of-the-shop journey. https://www.nickshousestudio.com/news/blog-post-title-one-42hwl

Architecture of Form

DARIA: Denver Art Review, Inquiry & Analysis
..."Nicholas Figel’s Metroform combines sculpture and performance. A simplified metropolitan model in gray scale sits low to the ground. Suspended above this geometric city and just above the head of the viewer hangs a performer—a woman whose limbs are painted bright orange, with a tube of gray fabric around her middle that is ridged like the folds of an accordion..." https://www.dariamag.com/

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Principais Habilidades

Engineering
CAD/CAM
Solidworks
Mechanical Engineering
AutoCAD

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